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A. V. Club Asks Whether H. P. Lovecraft's Fiction Can Speak to Us about Donald Trump

7/29/2016

17 Comments

 
Since tonight is yet another edition of Ancient Aliens, this time revisiting the claim that the moon is a hollow alien space station, I have only a couple of brief things to talk about while we wait. The first is the weird trailer that Universal released for Matt Damon’s upcoming 2017 movie The Great Wall, or, as it will soon be known, The White Supremacy. I know that Hollywood believes that audiences won’t see an action movie that stars an Asian person, but how utterly bizarre is it to see Matt Damon leading the charge to defend medieval China from an invasion of dragons? Already this year we had a filmmaker apologize for making all of the Gods of Egypt lily white, and now Universal cut the trailer for The Great Wall—a movie directed by a Chinese director and funded in part by China—to make it look like all of the forces of Asia are helpless until the white guy shows up. The director, Zhang Yimou, said that he purposely put a white guy as the lead to follow “a film language that [Americans] are familiar with” in order to introduce them to Chinese culture.
While that may be depressing, this leads me to an interesting, if flawed, piece that ran yesterday in The A. V. Club. There, Joshua Alston takes on the question of whether H. P. Lovecraft’s racism makes his stories especially powerful and relevant during a period of racial resentment and unrest in the United States. 
Trump has reached the cusp of the presidency by stoking those fears with the flair of a ringmaster. He’s also cribbed from some of Lovecraft’s most enduring themes, including Lovecraft’s exploitation of our common fear of the unknown and our anxiety about the unfathomable horrors to which we’re blind and powerless.
Alston makes the case that the political monsters conjured by Trump and his Republican allies follow many of the same patterns that Lovecraft used in creating his own monsters, namely stoking fears of the “other” and mythologizing issues and problems until they grow into an all-encompassing horror based as much on innuendo and belief as on anything factual.
 
I don’t think I entirely agree with Alston. While Lovecraft was, of course, a virulent racist who produced a number of racist stories (“The Horror at Red Hook” being Alston’s Exhibit A, but other examples are not hard to find), Lovecraft did manage in his fiction to universalize fears that originated in his own racism so that fear of racial minorities was only one part of an all-encompassing universal dread. In Lovecraft’s fiction (as distinct from his letters and personal opinions), it is only chance that led to white people having any special claim to civilization, and they are just as ignorant and deluded as any other group of human beings. Alston suggests that Lovecraft’s fiction treats “difference” as a “mortal danger,” but that reading is applicable only some of the time. In The Shadow Out of Time, the narrator, for example, learns to respect the Great Race by becoming one of them, and in At the Mountains of Madness the Old Ones are depicted as mostly humane (for a slave-owning aristocracy—it was a Lovecraft story after all). If we were to take the ideas expressed in “The Call of Cthulhu” more or less literally, Lovecraft seems to say that white Americans are intentionally blinding themselves to reality in order to preserve an illusion of cultural and racial control. This is decidedly more complicated than non-white = evil, even though Lovecraft as a man expressed such opinions rather frequently.
 
I agree that Lovecraft’s fiction does have resonance in our current climate, but I feel like it’s too reductive to say Lovecraft was racist so therefore his fiction serves as an analogy for Trumpism. Sure, the conservative heroes in his stories try to build walls to keep the Old Ones out and are constantly on guard for terrorism inspired by mad Arab prophets, but at the same time their dread isn’t just that the Other exists but rather the haunting realization that they are not the center of the universe. Here is perhaps the theme that speaks best to today’s world: Americans in general, and white Americans in particular, are having difficulty coming to grips with the fact that the terrifying forces of history have conspired to decenter them from their post-World War II role as the center of the world. As we move toward a multipolar world, a globalized economy, and a multiracial democracy, that sense that the old pillars of the earth have fallen is perhaps the closest connection between Lovecraft’s themes and the political moment of today.
 
That said, such readings necessarily take the perspective of a white reader. I can only imagine that those who are not white or not American would view his themes very differently. 
17 Comments
Scott Hamilton
7/29/2016 12:00:53 pm

One correction: The Great Wall is essentially a totally Chinese production. Legendary is owned by a Chinese holding company. I guess it's arguable if they're "Hollywood" or not. However, these kinds of productions are being initiated by Chinese companies pretty often these days, including Skiptrace, the new Jackie Chan movie in English that opened to huge business in China last week. What American producers that are involved are usually just there to get the English language talent involved.

Reply
Time Machine
7/29/2016 01:14:21 pm

Compared to Hillary Clinton, there's nothing wrong with Donald Trump. Who wants a checkout operator for American President?

Reply
Clete
7/29/2016 01:36:00 pm

You're back. I, and perhaps a majority of the others who follow this blog, had hope that you had left for good. Most of the time you contribute very little to this blog with your normal off-topic rants about your one and only theme.

Reply
TheBigMike
7/29/2016 02:27:20 pm

Shhhh! Don't talk to it! That will just encourage it. Maybe if we all ignore it it will go away forever. So, from here on out, let's just not even acknowledge that it exists. No more comments, no more attention.

David Bradbury
7/29/2016 02:57:20 pm

Mark has a theory that Zhang Yimou likes to make fun of westerners- a habit manifested in Zhang's 2008 Olympic opening, where the real ceremony was mostly being performed by tiny numbers of people on the central scroll, and the mass movement we all loved so much was just to keep less sophisticated viewers amused.

Reply
flip
7/30/2016 08:36:56 pm

I have a thing for Asian cinema, and it's interesting to note that on IMDB, Zhang Yimou (along with Ang Lee) are often criticised by Chinese critics/audiences as pandering to Westerners. This new movie doesn't exactly dispel that notion.

Reply
Only Me
7/29/2016 06:01:27 pm

The approach taken with The Great Wall sounds a lot like what happened with Dragon Wars, a Korean movie with the hero being played by Jason Behr.

Reply
V
7/29/2016 06:46:34 pm

"Here is perhaps the theme that speaks best to today’s world: Americans in general, and white Americans in particular, are having difficulty coming to grips with the fact that the terrifying forces of history have conspired to decenter them from their post-World War II role as the center of the world."

I would have to disagree, Jason. Largely because I think that it's NOT "Americans in general," or even "white Americans" in general. I think it's pretty much only the old white men whose power is "threatened" by the fact that younger and more progressive people won't put up with this shit anymore. That is most DEFINITELY what's going on in Hollywood, considering that ten years ago there was FAR more cultural diversity in movies than there is today--not enough, certainly, but still far, far more. That can really only be a conservative backlash by the old guard who feel themselves threatened.

The focus on Trumpism is, in truth, a focus on a very vocal minority. I know it doesn't seem that way, what with Trump having taken the Republican nod, but....only 23% of registered voters are registered Republicans. Republicans ARE a minority, and as we all know, not even all Republicans like him. And even if you take into account groups who usually lean toward the Republican side, Republican STILL only comes to about 39%, by the way.

I think that MOST people in the country, especially most people who are not part of that Old Guard group, are perfectly okay with the US not being the center of the universe, with tolerance, with equality and diversity, with multicultural experiences, etc. I also think that you are in part reinforcing the narrative of the ignorant white racist American with this blog post, even though I don't think that was your intention, so I'm stepping up to tell you:

This American may have experienced white privilege in her life, but she is not racist. She is not afraid of other cultures. She is not afraid of other peoples. She has and does and is RIGHT NOW passionately fighting for equality for everyone. She is not afraid to stand up and say to her own country and her own countryfolk, "These things are wrong, and we must stop doing them."

So please, Jason, do not be part of the problem, even accidentally, even poorly phrased "That isn't what I meant." That's what you WROTE. That's the message you're sending.

And you are wrong.

Reply
David Bradbury
7/29/2016 07:42:43 pm

"ten years ago there was FAR more cultural diversity in movies than there is today"

FAR demands a few really compelling examples ...

Reply
Dee
7/30/2016 01:41:02 am

V: "perfectly okay with the US not being the center of the universe,"

That would be closer to the essential message of the Trump campaign so far; not at all Clinton's "we are the world" attitude.

Colavito is correct that Americans in general fear to enter a mature, proportional stage of development realizing a larger world with radically different dreams and values abound. If it's indeed "white Americans in particular" then it's just a reflection on the sad reality that the political and cultural aristocracy (not to mention the Hollywood one) is still dominated by white. In my view it's therefore completely irrelevant and even misleading to call it a "white" problem. It's merely the American problem and in terms of the current political stage, it would be "Democrats in particular" suffering from this form of universal Atlantism. Within the current two-bit political landscape changes will be painful but it's Trump (but not his party) who represents at times the ugly waking call of individualization as a nation. Same process is visible in the UK and everywhere else in Europe. These are major cultural shifts, not just one single demagogue's dreams.

Reply
crainey
7/29/2016 08:03:10 pm

Whether its Trump or Lovecraft, racism always has similar themes across time and cultures. I agree with V that Trump is largely white privileges' last gasp. I just hope those numbers that put them in the minority hold valid when the election comes.

Reply
Alaric Shapli
7/29/2016 08:13:26 pm

Thank you, Jason. That was the most well-thought-out discussion of Lovecraft's racism I've ever read (even if it was written as a response to someone else's take on the topic).

Reply
Alaric Shapli
7/29/2016 08:14:30 pm

Or, to be more exact, discussion of the way his racism impacted his fiction.

Reply
Titus pullo
7/29/2016 08:27:14 pm

Given our cities are not burning I think unlike the 60s racial resentment today is pretty much a theme pushed by the Marxist multiculturalists who have infected academia the media and govt and not society at war..at least not yet. Thus white male power privilege is such garbage. Who is white anyway? I'm guessing u mean the various waves of European North African and middle eastern people who immigrated to America. Italians viewed themselves as their own ethnicity as did poles Russians and so on. The term "white" became the code word for irrational attacks since the 69s. Notice what ever other"group". Is given caps and an identity (Afro American, Asian American, Hispanic and so on then u have "white"). Gosh I wonder why? I come from the melting pot view not the Balkanized multicultural view that views everything based on group identity and not the individual. So called "white males". Have been used by the statists as the bogey man so they can get elected and enrich themselves not by the value of what they produce but by extortion and intimidation. Just like they accuse the evil white males( who in this theme are white Christians never Jews which again shows the academic nature of this crap from the 60s) if doing. My grandparents immigrated from Italy, both my grandfathers died during the depression (ones buried in auburn ny) and both my folks served in wwii. My dad worked in a factory and my mom at basically a Walmart at night. I was lucky to come of age in the 80s where college scholarships where given on the basis of merit not race. Trump isn't the cause of the hate. The progressives started this bs and now they are going to get what they have warned about for years, an American identity movement(whites refer to themselves as Americans by the way not white). I had hoped for an America based on the individual and freedom of association and commerce. Instead we get polemics on guilt and of course the soon to come punishment right?

Reply
Sticker
7/30/2016 11:13:33 am

What happened to Zhang Yimou? Back in the late 80s and early 90s he was doing some really meaningful work. After that it's been gaudy kung fu extravaganza after gaudy kung fu extravaganza ---- and now ... Matt Damon versus dragons?!

Reply
David Bradbury
7/30/2016 01:41:49 pm

Presumably like, say Paul Greengrass, he's realistic about what pays his bills.

Reply
Rook
7/31/2016 03:23:34 am

Although in many ways innovative and forward-thinking, Lovecraft was nevertheless still a product of his times, reflected in his interpretation of the world. We see something quite similar with Mark Twain. On the other hand, Trump's expressed world views (-who knows what he really thinks!) are rooted in a bygone era which apparently a segment of the population steadfastly hangs on to.

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