Marzulli says that the halftime show has been so clearly an “occult-Illuminati spectacle” that this year’s show seemed “innocent” by comparison. But rather than take this as evidence that he is wrong about the Illuminati’s influence on football, Marzulli claims that we need to look still harder to find evidence of the occult hidden in the show.
He starts by pointing to Hindi writing on Coldplay’s amplifier. He says he has “no idea” what it says, but he demands to know “why are they displaying that? Why are they overtly displaying that?” He claims to be trying to get the text translated to determine the occult meaning of a blatant display of a non-Western script, but I will save him the trouble: It says “Coldplay” in Hindi using the Devanagari script. Essentially, Marzulli’s problem is that the lettering is non-Western and therefore in his mind evil. Marzulli anticipates the criticism that he is fishing for things to be mad at: “I would differ. Everything these people do is calculated. […] They do it with great deliberation on their part.” He accuses the halftime stage of being “the Rosicrucian cross […] that represents self-illumination.” He says that the occultists are using Hindu imagery and “Sanskrit on the amplifiers” to symbolize the Illuminati, who are associated with Eastern religion and the demons Easterners worship in contravention of Christianity.
Marzulli is also upset that the final image of the show displayed rainbow colors and the word “love,” which he takes to be an endorsement of homosexuality, which he considers evil and demonic. “It was a subtle, but then again in some ways not so subtle, occult spectacle,” he said.
Like David Duke, Marzulli asks who is “controlling” what we see in the media and who is making the decisions about which evil sluts to stimulate occult erotic desires. While Marzulli explicitly means for us to read the answer as “demons” and “Illuminati,” it’s not hard to see that the implicit answer is the same one Duke provides: Jews. Duke’s Jews are standard-issue Zionist conspirators, while Marzulli’s are the evil false Jews who manipulate secret societies under the influence of Nephilim-demons, but they come from the same century-old paranoia about Jewish control of the media.
Marzulli’s anger is the same as Duke’s, the rage of old white men against the young, the non-white, and the non-male. Both cranky assholes want more control over expressions of women’s sexuality (neither cares much about expressions of male sexuality unless it is homosexual) and a return to an imaginary time when straight white men could wield Jesus as a cudgel to keep everyone else beneath them.
Certainly it can’t be a coincidence that Marzulli is quick to declare Beyoncé (a Black woman), Bruno Mars (a Black man), Katy Perry (a woman), Madonna (a woman), Lady Gaga (a woman), and the producer of the Super Bowl halftime show (Ricky Kirshner, of Jewish heritage) of being demon-worshippers, while the only one he wasn’t sure about was Chris Martin of Coldplay, a straight white man. Marzulli seems to think Martin has been deceived by nefarious Eastern mystics into surrendering his (white? Christian?) birthright in favor of demons.
So this is the Nephilim-theorist agenda laid bare: Cranky old white guys upset that the world has passed them by and blaming it all on demons.