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Later this month, independent scholar Willem McLoud plans to hold a webinar to teach members of Ancient Origins that the Egyptian god Osiris was actually a Mesopotamian king. McLoud is going to base the claim on two papers he published over the past year, in which he argues for a new understanding of ancient history based on the self-aggrandizing “McLoud Chronological Model” of Egyptian history. Basically, he wants to rejigger the Middle Kingdom of Egypt to better fit with his preferred period of Mesopotamian history—questions of more import for Biblical history than anything else, really.
For each of the past two years, I have reviewed the new season of the controversial Netflix drama 13 Reasons Why. Now that the series debuted its fourth and final season on Friday, it seems like I should complete the circle. Given the quality of what they produced this year, I retroactively regret having tried to make the case against critical consensus that the prior seasons had something worthy to say, even if they didn’t always seem to be thematically appropriate successors to the complex and uncomfortably bleak first season. I don’t think I have ever seen a show switch genres and go so wildly off the rails by betraying its own purpose as it did in this final season. I would even argue that this garbage fire of a final batch of episodes only reinforced the original critics’ view that 13 Reasons Why was never anything more than exploitation masquerading as seriousness.
Due to prior commitments, I will not be posting today or tomorrow. I will return next week.
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AuthorI am an author and researcher focusing on pop culture, science, and history. Bylines: New Republic, Esquire, Slate, etc. There's more about me in the About Jason tab. Newsletters
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