Because of the historical connection between Hermeticism and fringe history, I occasionally look at some of the latest happenings in Hermeticism, but I will confess to being largely uninterested in magic and mysticism for its own sake. Nevertheless, when I skimmed through the new edition of Giuliano Kremmerz’s The Hermetic Science of Transformation, to be released by Inner Traditions later this year, I was taken by part of translator Fernando Picchi’s foreword to the book. In it, Picchi applies to Hermeticism the same rage against scientific materialism that we have seen in fringe works like Graham Hancock’s books and the Ancient Aliens TV series. Here is his particularly dense verbiage, explicating on the notion that a spirit-based immortal ego—i.e., a soul—resides within us but is denied by science:

​Regular readers will remember Jeffrey J. Kripal, a professor of philosophy and religious thought at Rice University, because a few years ago he declared that a Renaissance painting depicted a genuine flying saucer, and more recently, because he held a UFO symposium. In a recent interview, Kripal has made a surprising new claim that finds further parallels with the pseudo-religious ramblings of latter-season Ancient Aliens. Kripal says that he believes the human imagination does not necessarily generate its own ideas but instead may be a conduit for receiving supernatural messages from the outside. This is surprisingly similar to the claim made on Ancient Aliens that geniuses do not have original insights but instead have their thoughts beamed into their heads by superior space aliens.

​I grew up in what used to be known as the “Burned-Over District,” a place where the flames of the true faith—whatever that was—burned so brightly that they scorched all they touched. In nineteenth-century upstate New York, evangelicals spoke of their conversations with the Holy Spirit to rapturous audiences. Joseph Smith preached about visitation from the angel Moroni, and the Spiritualists vouchsafed that they were in direct contact with ghosts from another plane of existence. What all had in common was an unyielding faith in things unseen, and also an unwavering demand that no evidence be admitted against their beliefs, for faith was, as Jesus said, a blessing for those who believed without proof: “Blessed are those that have not seen yet have believed” (John 20:29). The cynic might argue that this type of faith exists precisely to hide the fact that there are no facts to support it. Even Jesus had to show his wounds to Doubting Thomas.

My research over the past couple of weeks in to Islamic treatises on antediluvian times and Hermetic lore has yielded an unexpected revelation. It came to me because the libraries around me don’t have what I need. In 1968, David Pingree published his important study of astrologer Abu Ma‘shar’s The Thousands, an influential but lost book that established (indirectly) the myth, so popular in fringe history, that the pyramids were built in antediluvian times to preserve science from the Flood, typically identified today with the end of the last Ice Age. As Edward Sachau noted in 1875, scholars had all but ignored both Abu Ma‘shar and the Thousands, meaning that until Pingree that was very little written about either. But Pingree’s book is a bit of a specialty item, especially since it is 50 years old, and WorldCat says that there isn’t a copy within nearly 100 miles of me. One of these days I should probably request an interlibrary loan, but it has literally two minor references to the Egyptian pyramids in it that I have not already read and otherwise is a massive study of astrology that I do not care about.

​Recently, I completed a translation of some lengthy excerpts from the Book of the Secret of Creation and the Art of Nature (Kitāb sirr al-ḫalīqa), an Arabic-language treatise on Hermetic philosophy and cosmology attributed to Apollonius of Tyana (Balīnūs). It takes the form of a multi-book disquisition on the secret of creation, which is that all things are made from differing ratios of hot, cold, wet, and dry. (It was, in the end, a disappointing secret, not dissimilar to the harmony of the elements in Macrobius.) Several of the books pose questions about the natural world and explain them in tedious detail about the evaporation and condensation of primaeval fluids. The volume is famous as the oldest extant source for the famed Emerald Tablet, which became better known in the West from a Latin translation of a separate recension of the tablet’s text from a different and later Arabic source. Perhaps more interesting is the frame story attached to it, telling of how Apollonius discovered ancient wisdom in books held by a statue of Hermes Trismegistus in an underground chamber in Tyana, in modern Turkey:

​In medieval alchemy, the Emerald Tablet of Hermes took pride of place, allegedly an ancient distillation of wisdom discovered by Alexander the Great. Albertus Magnus, in a book on the secrets of chemistry written around 1200, gives the story: “Alexander the Great discovered the sepulchre of Hermes, in one of his journeys, full of all treasures, not metallic, but golden, written on a table of zatadi, which others call emerald” (trans. Thomas Thomson). This story, in turn, is a corruption or adaptation of an earlier Islamic myth, in two variants. One held that Sarah, the wife of Abraham, found the emerald tablet (written in Phoenician) held in the hands of a statue of Hermes at his tomb in Hebron, and the other than the honor fell to Balinas, who accomplished the same feat in Tyana, taking the Syriac-language tablet from the hands of Hermes’ corpse: “After my entrance into the chamber, where the talisman was set up, I came up to an old man sitting on a golden throne, who was holding an emerald table in one hand” (anonymous 1985 trans.). Another Arabic treatise, translated into Latin in the twelfth century, replaces Balinas with Galienus (an obvious misreading): “When I entered into the cave, I received from between the hands of Hermes the inscribed Table of Zaradi, on which I found these words” (trans. Steele and Singer). 

​I wasn’t planning to write an original blog post today, but in the Daily Grail news feed I came across a bizarre claim in an article about the classic Australian movie Picnic at Hanging Rock (1975) that is worth discussing. The film, for those who haven’t seen either it or the recent Australian TV adaptation released in the U.S. by Amazon Prime, revolves around the mysterious disappearance of a number of school girls in the early 1900s while out on a school trip to a rock formation in the woods. Because of the spare, poetic, but plausible depiction of the events in the film, which focus on the guilt and sadness of the survivors, many people wrongly believe that the completely fictional story was based on a real-life event. 

​Today I thought it might be interesting to profile the ancient city of Akhmim, also known as Chemmis, and Panopolis, mostly on account of the fact that this now-obscure outpost of Egyptian culture has been revealed as the secret source of the collection of Hermetic myths that would give rise to many of the ideas we collectively know today as fringe history. That’s because the stories told at Akhmim about Hermes building great buildings to save knowledge from the Flood transferred over into medieval stories about the scientific wonders of the pyramids of Giza and their supposed antediluvian age, stories that ended up in Victorian pseudoscience and modern fringe history books, like those of Erich von Däniken and Graham Hancock. At least, that’s where I started. I ended up getting side-tracked into a weird, but ultimately quite interesting, discussion of the development of the myth of Hermes Trismegistus from Late Antique syncretism. 

​Today is Independence Day, and what could be more American than to take a look at how a Frenchman convinced people across the United States that illegal aliens from outer space were threatening their supply of steak and cheese? Today, we’re going to take a look at how Jacques Vallée helped to invent the myth that flying saucers were mutilating cattle. It’s a sad, dumb story, and the short form is: He put it in a movie, so the public believed it because they saw it on screen.