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Brad Lepper on the Newark Decalogue Stone, and Other Odds and Ends

12/2/2013

14 Comments

 
I’m a bit worn out after yesterday’s marathon review of America Unearthed, so today I have a few short items to discuss.

The Newark Decalogue Stone
First, archaeologist Brad Lepper has offered an important follow-up to Scott Wolter’s and J. Huston McCulloch’s claims about the Newark Decalogue Stone on Saturday’s episode of America Unearthed. In that episode Wolter asserted that the stone artifact, which was found in 1860 in Ohio and features a carved image of Moses surrounded by Hebrew lettering, has “passed” the scrutiny of skeptics in its use of Hebrew and that it contains no trace of nineteenth-century manufacturing techniques. Lepper shows that Wolter’s points are utter rubbish and he is either intentionally deceitful or is utterly incompetent as a geologist or an investigator of history.

According to Lepper, experts in Hebrew examined the lettering on the stone and declared it a forgery. These experts included Frank Moore Cross of Harvard University (and therefore one of the “academics” who suppress the truth), who found the forgery “grotesque.” Jeff Gill proved that the lettering used on the stone could not predate the standardized nineteenth century Hebrew alphabet. Worse, an archaeologist hired by the museum housing the stone to make a cast of it discovered grinding marks from a nineteenth century grinding wheel on the back of the stone, which are most probably an area the forger forgot to polish when fabricating the artifact.

Somehow Wolter “missed” this evidence in his examination of the stone.

Be sure to read Lepper’s entire piece, with valuable links to additional work on the stone.

Ancient Aliens in the Funny Pages, Where They Belong
I also want to point everyone to yesterday’s B.C. comic strip, which offered a funny take on the ancient astronaut theory. A space alien arrives to deliver a truly important technological breakthrough: plans for a pyramid, which the characters take about as well as you’d expect.

Zombies-A-Go-Go
Last night was the “midseason finale” of AMC’s The Walking Dead, and in honor of that, be sure to buy my new eBook Mini A Brief History of Zombies, a 10,000-word collection of my writings on zombies newly edited into a single, long-form history of the zombie, with some new material added as well. As for The Walking Dead, I don’t know how much longer I can continue to watch it. The show is unrelentingly grim to the point of nihilism; there is no purpose to the story except as an exercise in sadism. Are we supposed to enjoy watching all of the characters be miserable reenacting the same plot (find safe place, fight with each other, watch zombies overrun it, lather, rinse, repeat) with increasingly violent results? I just feel unclean and a bit depressed after watching the show. Traditional art could be dark and grim, but as Aristotle noted, that grimness served to lead to catharsis. By the nature of an ongoing drama series, there can be no true catharsis since the show, and its misery and suffering, must continue until cancellation.

Fingerprints of the Encyclopedia
Finally, as you know I’ve been trying to assemble an anthology of the “ancient texts” used by fringe writers to support various wacky ideas. To do so, I’m going one by one through fringe books and extracting the references to ancient material. I’m working on Graham Hancock’s Fingerprints of the Gods, which I will admit I have not reexamined in great detail for a decade. Holy crap. It’s worse than I remembered. Hancock said that while he no longer believes the book’s theory that Antarctica was the home of his lost civilization, the book’s “strength” lies in its “handling” of mythology. That’s a strength? I sought in vain for direct references to actual ancient texts; every time there was a quote from an ancient text relating to a myth, he sourced it to one of a handful of encyclopedias of mythology—often claiming the encyclopedia summary (too often quoted incorrectly) as a genuine ancient source.

In several cases, he repeated incorrect information from those encyclopedias (or simply misunderstood the encyclopedia altogether), and in others he failed to distinguish between material quoted directly from ancient texts and modern summaries, paraphrases, and interpretations. In turn, this has made it almost impossible to trace back some of his assertions to whatever the original source was that stood behind the encyclopedia entry. Hancock certainly doesn’t know; for him everything in the encyclopedia is equally valid across time and space regardless of the sources the encyclopedia writer used.

But the kicker came when I encountered a reference I didn’t remember at all. On pages 204 and 205, Hancock quotes a long story that he attributes to Norse myth but whose exact wording is actually cited to the error-ridden New Larousse Encyclopedia of Mythology. According to Hancock, the story uses allegory to “recall a cataclysm of awesome magnitude” in which the earth was destroyed, two humans hid inside of a tree to escape a global catastrophe, and they emerged into a new world. “The new world this Teutonic myth announces is our own. Needless to say, like the Fifth Sun of the Aztecs and the Maya, it was created long ago and is new no longer.”

The story sounded awfully familiar, but I could recall no Norse myth of a prehistoric destruction of the world yielding our own world. Then I remembered where I had read the story before: It’s Snorri Sturlson’s description of Ragnarok from the Prose Edda (Gylfaginning 51-53), or, more directly, it is the Voluspa, the first poem of the Poetic Edda, which was Snorri’s source. Yes, Graham Hancock managed to completely misunderstand the future apocalypse and move it into the past to make it into an analogue of the Fifth Sun and Noah’s Ark. I checked the Larousse and it correctly identifies this as a future event. The mistake is Hancock’s own.

Some days it seems as though every single fact, no matter how small, a fringe writer cites is wrong.

14 Comments
Scott Hamilton
12/2/2013 07:16:08 am

In Hancock's defense, he now admits he was doing a LOT of weed when he wrote Fingerprints of the Gods. It's not his fault people took the book to be history, and not an unproduced Cheech and Chong sequel.

Reply
Dr Who
12/2/2013 08:00:54 am

I look forward to the revised, sceptical edition of "Fingerprints of the Gods".

Reply
Pacal
12/2/2013 02:34:21 pm

He went around giving lectures for well over a decade touting the ideas in the book and its sequels, and further making "documentaries" about his ideas and fantasies and how it was all "real". In other words he kept telling people it was history over and over again. So yes he is fully responsible. I rather doubt he was stoned at all those lectures and film sites.

Reply
Dr Who
12/2/2013 08:49:42 pm

Graham Hancock is not the only Fringe exponent deploying such tactics. And yes, they are all "sceptics"

JJ
12/2/2013 01:33:27 pm

did Lovecraft use Theban?

Reply
Gary
12/3/2013 04:35:20 am

Having a picture of Moses is a dead givaway that the decalogue was not carved by ancient Hebrews.

Reply
Only Me
12/3/2013 09:03:26 am

After reading Brad Lepper's article on the Newark holy stones, I was surprised at the idea they were made to undermine the principle belief behind polygenesis, but, it makes sense. In this light, this would be one of the few times that hoax artifacts served a greater good.

As Jason has pointed out before, Wolter and Prometheus Entertainment aren't being explicitly racist, but, as has ALSO been said before, one needs to keep in mind the sometimes race-driven origins behind certain ideas, such as diffusion. Intentional or not, America Unearthed provides something that, as Lepper mentions, the Newark holy stones also provide:

" some extreme diffusionists see them as proof that the indigenous peoples of America did not build the architectural wonders of this continent and that some "lost race" (or "races") of white people properly deserve the credit. Although certainly not all diffusionists are racists (though some incontestably are), assertions of this kind, especially when founded on such weak evidence, are consistent with and give considerable aid and comfort to those who deny the aboriginal American people the ability to have come up with domesticated plants, systems of writing, and/or monumental architecture on their own. "

Reply
The Other J.
12/3/2013 05:53:41 pm

I'm not going to completely defend The Walking Dead, because great googly moogly has some of the writing been bad -- characters making no decisions or the worst of all possible decisions, hacky plot devices, a story that barely treads water let alone has any motion, forward or backward.

But I think we've been well past Aristotle's version of catharsis and tragedy for some time now -- George Bernard Shaw certainly presented a new model with Saint Joan, one where there are no wrong choices because even the best choices lead to tragic results. What TWD has going for it -- based on the comics -- is the little victories. If you haven't read the comics, this won't spoil much, but everything edges forward in increments where each successive attempt at re-civilization is a little more successful than the last, which opens up story-telling possibilities about what people do when trying to re-build a world. This season of TWD has moved along at a much better clip than any since the first, and Scott Gimple has proved to be one of if not the best showrunner they've had; he understands the material and the audience better and is less enthralled by pointless subplots. If that's any indication, and knowing the trajectory of the comics, there are some bright dawns on the horizon.

Then again, it may just not be everyone's cup of tea. If you're satisfied by the little things you may dig it, but wave after wave of grimy tragedy in the hopes of brief moments of light doesn't make for the most uplifting viewing.

Reply
Azazel
12/6/2013 10:27:04 am

Some people are too intelligent to turn off the analytical nature of their brains and sit back and enjoy fiction. Now if that were the case for Mr. Colavito his tragically bad opinion of The Walking Dead might be acceptable. Clearly he's spent far too much time nitpicking rather than watching and being entertainted. This seasons story has gotten leaps and bounds better than its predecessors and the choices to have some people make terribly stupid decisions are great additions to the show because "survival of the fittest" is a key theme to any good Zombie-based art in any medium. Why anyone would think that everyone in a zombie-apocalypse would become super smart decision making people and then find some place to begin eking out some sort of existence other than shoot zombie, barricade home, shoot bad guy, rinse repeat is just absurd. In the real world when we have wars people leave and seek refuge elsewhere but when the world is covered in war there is no refuge. This show will never have anything other than what you've already seen so far and if you didn't see that coming then, Jason, thats a little short sighted of someone who perpetuates himself as being so intelligent.

The purpose of any good zombie story is to reflect and shine a bright light on all those things swept under the rug, with which we look the other way to, throw blinders on or walk by without a care. Its to point a finger at the ugly side of contemporary society and examine it in the public mind's eye. This has long been the purpose of Zombie stories since George a Romero reinvited the modern version thereof. Examining the bible as a work of Fiction and the tale of Lazarus rising from the dead could also be seen as one of the earliest forms of using "Zombies" to mirror current social issues.

Step back and reapproach the show from a different angle Jason and i think you'll see the point of it. Or even better grab the comics and you'll get a better idea as to the true point of a zombie story.

Reply
Jason Colavito link
12/6/2013 10:41:24 am

Liking or not liking The Walking Dead is a matter of taste, as it is with any other piece of art. The fact that you rank it on a scale of "zombie-based art" instead of art as a whole suggests that you also recognize that it lacks a certain something compared with non-zombie art. If you search my site for "zombies" (or, better yet, buy my eBook) you'll see the many and varied reasons I don't care for zombies.

There are plenty of shows that are stupider than The Walking Dead that I enjoy as entertainment; I don't hold fiction to the standards of nonfiction.

My taste is not inherently wrong just because you don't share it, nor yours because I disagree with you. As the Romans said, de gustibus non est disputandum.

Reply
Azazel
12/7/2013 03:29:58 am

You missed the point of my comment entirely because you response is by no means evident of understanding what i proposed.

The point being that just because you do not like something or it isn't in your wheelhouse of personal tastes doesn't make that something bad in context to its art-form. In a contemporary example that is similar to the numerous immature people who'll say "so in so band is terrible because i don't like that style of music." Just because you don't like it doesn't mean said art-form isn't performed up to the highest standards of its particular medium. In the case of The Walking Dead, both the comics and the television show maintain the standards that go along with a Zombie based story and surpass many of those standards in the particular mediums of comics and Television Dramas. Yes the comics tell the story in a much better way than the TV show but it was more tightly controlled story. Too many Chefs in the kitchen can and do ruin many a meal and this can been seen in the first couple seasons of TWD show. There is nothing in my comment to suggest i "recognize that it lacks... bla bla bla" i was simply examining the art as it should be; in its own medium (that off television drama and being Zombie based).

What you're saying that i ranked TWD based on "zombie based art" instead of art as a whole suggests that you think all art should be compared to each other and evaluated as such, is that the case?! I think a first year art-history major could point out the huge flaws in that train of logic. I.e One cannot evaluate the quality of single camera sitcom by comparing it with a multi-camera space drama such as Battlestar Galatica and then come to a conclusions on whether either was well written or executed. Or to further said point, one cannot even properly compare Television and Films as the two are a widely different used similar mediums, as a painting cannot be properly compared with a comic book and gain any worth while information from said comparison. Thus it is pointless to examine The Walking Dead or any other Zombie based art in context with art as a whole it gains nor losers nothing in the evaluation of said comparison. I can agree with all of your reviews of bogus shows such as Ancient Aliens, America Un(earthed)hinged etc but you it appears in my humble opinion that you do no possesses the knowledge needed to properly evaluate fiction. You seem to be a moderately intelligent guy and from one to another i say to you; "humility is a virtue, look into it."

Azazel
12/7/2013 03:45:42 am

Also i forgot in my last message to say that the widely accepted Etymology of the saying "de gustibus non est disputandum" is sometime during what is refereed to as the scholastic time period. Said period is to be between 1100 to 1700, now i don't know about you Jason but how many "Romans" do you think were still around during that time period to have said such phrase?

Jason Colavito link
12/7/2013 04:14:30 am

So on what scale are you asking me to judge The Walking Dead? As a television program, I compare it to other TV dramas and find it wanting in its characterization, plotting, and themes. It's slow, often incoherent, and hits character beats so hard it hurts. Even within the more restricted zombie genre, it lacks the originality of Night of the Living Dead (a personal favorite of mine, not that you'd know) or the emotional impact of "In the Flesh" or "The Returned," though those zombies are less "traditional." Just because I don't agree with you on its relative value as either zombie fiction or dramatic television doesn't mean I lack the ability to critique fiction. Please see my 2008 book "Knowing Fear," a critically-acclaimed work of literary criticism on the development of the horror genre.

You're right that exact phrase "de gustibus" is a medieval formulation. My apologies. The proverb, however, is found throughout Europe in various languages (Emmanuel Strauss, Dictionary of European Proverbs, 1994) and is apparently so old that no one knows its exact point of origin.

Only Human
12/8/2013 06:37:09 pm

I'm with Jason on this one. I've tried several times to watch The Walking Dead and I just can't even force myself to sit through a single episode. I really chalk up to nothing more than a daytime soap opera with zombies.


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