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Lovecraftian Echoes in "Jurassic World"

6/20/2015

20 Comments

 
If you asked TV-watching Americans which channels they couldn’t live without, the results are somewhat surprising. Variety conducted a survey asking cable TV customers which channels they would be willing to pay to keep should cable move to a la carte pricing. It was no surprise that ABC, a broadcast network, came in first, but after that came the Discovery Channel, CBS, NBC, the History channel, and National Geographic, in that order. We could speculate on the reasons for this, but it seems strange that three of the top five networks are those that show alien and UFO related programming. The real reason is probably a bit more prosaic: Men tend to watch fewer channels and to like the docudrama-style male-oriented reality shows heavily feature on the three cable channels on the list, so their choices are more highly concentrated relative to women’s more diverse choices. Still: Three channels of pseudoscience, aliens, and cryptids made the top five. That’s depressing.
Less depressing was the startling success of Jurassic World, the latest installment in the Jurassic Park franchise. The movie hit at just about the right time for those of us who were kids when the first film debuted to feel a tinge of nostalgia for childhood. I described my feelings about Jurassic Park last year, in reviewing a different book:
Sometime during the summer of 1992, when I was eleven years old, I bought a paperback copy of Michael Crichton’s Jurassic Park, which had been released at the end of 1990. I loved the book and must have read it three or four times before Steven Spielberg’s movie adaptation was released the following summer. I remember making a scale model of the park using poster board, Legos, and little plastic dinosaurs. When the movie came out, I even painted a Matchbox car to match the iconic Ford Explorers used in the film. I also devoured most of Crichton’s other books over the next year, though only Congo made enough of an impression on me that I can recall much of the story two decades later. Jurassic Park gave the impression of being a book for smart people, filled as it was with long sections of research into genetics and paleontology and chaos theory, and when I was eleven that made it seem like a real grown-up book. Because it was something I loved as a child, I still have affection for the book even though I can recognize now Crichton’s shortcomings as a novelist. 
It was the last of big thing from my childhood, before the teen years took over, so I have always had an emotional attachment to the story. I remember how much I loved the movie, and the effort that Steven Spielberg expended in creating the aesthetics of the theme park helped to spark my interest in graphic design.

Jurassic World was an enjoyable movie, but one that seemed a little less carefully designed than the first, though I did appreciate that the blue-and-white aesthetics of this movie were borrowed from Crichton’s descriptions from the novel. Allusions to King Kong and Jaws were also a nice touch. Jurassic World is, to be quite frank, a retelling of the original story, almost point for point It reminded me in many ways of the old Universal horror and monster movies, which kept cranking out nearly identical retreads of the same material with slight variations—like Son of Dracula retelling Dracula in Louisiana—building to “monster battling monster in cataclysmic destruction,” as the trailer to House of Frankenstein put it. (Jurassic World is a Universal production.) And like those earlier Universal horror films, there’s a good deal of (seemingly) unintentional sexism toward the female lead, who descends from an imperious executive to a screaming Fay Wray over the course of two hours.

It probably goes without saying that Michael Crichton took some of his influence from H. P. Lovecraft, whose settings and themes tend to pop up in Crichton’s work in somewhat disguised form. (Obviously, this is far from his only influence—elements of Edgar Rice Burroughs, Arthur Conan Doyle, H. G. Wells, and midcentury pulp and sci-fi are quite evident, too.) Jurassic Park is, I think, most closely captures the motif of prehistoric forces threatening a return to primal chaos, though his Congo is probably the closest to Lovecraft in terms of setting and story. In the latter novel, the heroes stumble across a lost stone city whose story they read from murals, like the heroes of Lovecraft’s At the Mountains of Madness, and they encounter strange white apes in a prehistoric African city like in “Arthur Jermyn.” Heck, in Eaters of the Dead, Crichton even cited the Necronomicon as a (fictitious) “source”!

But it is in Jurassic Park that we see the fulfillment of the maxim Lovecraft had one of his characters deliver in The Case of Charles Dexter Ward: “As I told you longe ago, do not calle up That which you can not put downe; either from dead Saltes or out of ye Spheres beyond.” The dinosaurs are essentially the Old Ones, and their resurrection is akin to efforts of Lovecraftian ignoramuses to return the Old Ones to this world. DNA therefore becomes a bioscience analogue to the non-Euclidean math and relativity that intrigued Lovecraft. A close analog occurs in the Dunwich Horror when Wizard Whateley calls forth Yog Sothoth to impregnate his daughter and then tries to keep the resulting monstrosity locked up in his house. The horror begins when the creature breaks free and goes on a rampage. The scientists and showmen, like the deranged cultists of Lovecraft, think that they can master the titanic forces they have called up out of the past, and they continuously discover they cannot.

The real shame of it, though, is that while Jurassic World is the best entry in the series since the original, it has no new notes to play, and doesn’t really lend itself to much discussion beyond the superficial, excepting its retrograde view of masculinity whereby everyone—women (female and dinosaur) and even teen boys—all submit to the dominance and power of the alpha male. Well, except for the Tyrannosaurus. She wasn’t having any of that, so I guess that makes her the real heroine.

20 Comments
Shane Sullivan
6/20/2015 08:41:37 am

Maybe it's just me, but Eaters of the Dead also reminded me of the climactic scene from Robert E. Howard's The Dark Man, what with Vikings battling the remnants of a primitive race that once dominated Europe. Aside from Beowulf, of course.

Reply
spookyparadigm
6/20/2015 08:51:42 am

Have you read Lovecraft's dream that ends up in

https://en.wikipedia.org/wiki/The_Horror_from_the_Hills

?

Reply
Shane Sullivan
6/20/2015 12:46:37 pm

I hadn't, but now I have. Looks like Lovecraft was drawing on Machen's The Shining Pyramid. That story also inspired Howard's Picts, even before Lovecraft's dream... It's good to know those Victorian colonialist theories about pre-Aryan peoples of Europe got good mileage in pulp stories. =P

Walt
6/20/2015 08:44:18 am

A la carte is already a bit outdated even before being implemented. Right now, people don't want to pay for channels they never watch, but if a la carte becomes the norm, people will eventually not want to pay for shows they don't watch.

I suspect popular reality shows are the reason History and Discovery made the top 5, not their fringe shows.

Reply
Clete
6/20/2015 01:09:09 pm

I agree with you. The first quasi-reality show put on the history channel was "Pawn Stars". It was such a rating blockbuster, bringing in an audience who wouldn't have been caught dead watching what used to be a channel devoted to finely made and researched historical programming. After that the floodgates opened and the "History" channel was filled with shit like Ax Men, Ice Road Truckers and Swamp People. After that came the fringe crap like UFO Hunters, Ancient Aliens and the real nadir of them all, America Unearthed.

Reply
Dave Lewis
6/20/2015 04:48:47 pm

Years ago I enjoyed watching the Learning Channel and the Discovery Channel. I recall a program on one those about Sokushinbutsu, the practice of self-mummification practiced by Buddhist monks in northern Japan. After watching that program I decided I wanted to tape it but it seems it never was repeated.

Shane Sullivan
6/20/2015 06:08:54 pm

Not to worry, Dave Lewis: Ancient Aliens did a segment about it!

http://www.jasoncolavito.com/blog/review-of-ancient-aliens-s07e10-secrets-of-the-mummies

Mike Jones
6/20/2015 08:57:16 am

What did P.T.Barnum say? I paraphrase: "No one ever went broke underestimating the American public."

Reply
Titus pullo
6/20/2015 11:45:17 am

I really enjoyed your memory of being 11 when the first Jurassic park came out. In 1974 I was 11 and remember reading Arthur's c Clark 2001 and thought it was the first adult book I had read, filesd not just with kid science fiction but hard science. I had seen the movie when I was five, my much older cousin wanted to see it but not alone. I can relate to what you are saying even if I was in college when you were born. I'm still waiting for moon bases and pan am shuttles to orbit.

Reply
JaredMithrandir link
6/20/2015 03:46:33 pm

My view of Jurassic World is in my Website link, I loved it.

Reply
Formulated Movies
6/20/2015 11:34:46 pm

I love formulated movies as well - the predictable types that are never as good as their trailers.

We now have the art of making perfect trailers for bland movies.

Reply
Terminator 5 next
6/21/2015 12:03:43 am

We.ve all read the spoilers, people that have watched advance screenings of it posted their messages on the IMDb board long ago,

Everything depends upon Terminator 5 being a good movie, If it fails in that department then its inept storyline will make it a disaster.

Ash vs Evil Dead
6/21/2015 03:48:43 am

Check out this forthcoming television series - starring Bruce Campbell, Mimi Rogers and Lucy Lawless

JaredMithrandir link
6/21/2015 06:34:38 am

I actually have a post on my Blog about how annoyed I am that people think Predictable is a crtiissim.

Formulated Movies
6/21/2015 08:48:05 am

Cinema has now reached the stage where the trailers are better than the movies.

JaredMithrandir link
6/22/2015 05:42:15 am

Jurassic World was much better then it's trailers.

tm
6/20/2015 07:46:32 pm

That survey was conducted on behalf of DigitalTrends which is owned by Tivo. I wouldn't put much faith in it. It sounds like consumers were asked to pick from a "menu" of channels. I'm guessing most of them started by adding the cheapest cable networks first. According to the report even Animal Planet outranked ESPN, which is one of the most expensive cable networks.

Reply
JaredMithrandir link
6/22/2015 05:41:30 am

I've talked about some Lovecraftian themes on my blog that might interest you.

Reply
flip
6/23/2015 12:42:27 pm

You complain about the pseudoscience channels being at the top, but Syfy is way way down the list. I'm going to agree with the others and suggest it's probably reality TV that people are interested in the most. I also disagree with your gender-based assumptions. In my house it's the women who watch the docudrama reality TV.

Reply
Josh Fougere
7/22/2015 12:00:43 am

You make a good point but I wonder why you don't mention Sphere? There's even a Cthulhu like giant squid.

Reply

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    • Miscellaneous Documents >
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      • The Amazing James Dean Hoax!
    • Free Classic Pseudohistory eBooks
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