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Reality TV Producers Now Realize Viewers Take Their Self-Described "Crap" Seriously

12/23/2016

19 Comments

 
​I want to give special thanks to everyone who has donated to my annual fundraiser so far this week. I am, as always, touched by your generosity and your support. If you feel so inclined, there is still time to increase my income taxes for 2016 by making a contribution to help offset the costs of keeping this site running. This year I couldn’t have timed it better since Weebly’s recent upgrade meant that you really got your money’s worth: a whole new site layout and design, along with the hours spent trying to make it work right!
​Today I wanted to talk a bit about the power of television. In a recent article in Vanity Fair, a former producer of The Apprentice, the reality television show that revived Donald Trump’s fading star, begged his fellow industry insiders to think about the consequences of their actions. Producer Bill Pruitt said that Trump’s election to the presidency made him realize that audiences actually take television programs seriously and buy into the fake storylines and cynical manipulations producers routinely use in the endless pursuit of profit. He cited the fact that The Apprentice purposely fabricated facts about Trump in order to create the illusion of success during a period when Trump’s businesses were failing. The image, however, overtook the facts.
It’s about a complex global system that uses the media to construct its allies and to sway the populace to move like lemmings toward the ballot box. We are masterful storytellers and we did our job well. What’s shocking to me is how quickly and decisively the world bought it. Did we think this clown, this buffoon with the funny hair, would ever become a world leader? Not once. Ever. Would he and his bombastic nature dominate in prime-time TV? We hoped so. Now that the lines of fiction and reality have blurred to the horrifying extent that they have, those involved in the media must have their day of reckoning. People are buying our crap. Make it entertaining, yes. But make it real. Give them the truth or pay the consequences.
​I bring this up because of the endless arguments I receive time and again that television shows are simply entertainment and don’t have real consequences for the wider world. Even the producers of “crap” now understand that audiences are influenced by what they see. As I have said before, I don’t think that it’s entirely a coincidence that the History Channel and the defunct H2 network both aired “documentaries” that focused on Eurocentric interpretations or fabrications of history (e.g. America Unearthed), Biblical literalism (Search for the Lost Giants, various Bible shows), and programs that claimed non-white peoples have trouble piling rocks on top of each other (Ancient Aliens). These channels are owned by A+E Networks, parent company of A&E, the channel that brought you Duck Dynasty, a reality that show that launched a conservative business family into the national eye and into the heart of Republican politics, like a minor key version of Trump.
 
None of this is to say that A+E Networks has a specific agenda beyond making money. They also ran, for example, the recent anti-Scientology documentary series from Leah Remini.
 
I think that A+E Networks is slowly getting the message that ideas have consequences and that TV shows have an impact. When the network announced its newest documentary series Generation KKK, billed as a candid look at the lives of young Ku Klux Klansmen, activists blasted the network for providing a platform for racist propaganda. This prompted A&E to go into damage control mode, explaining that the series isn’t a reality show glamorizing the Klan but rather “documents activists working to expose and end hatred,” according to a tweet the network published in an effort to combat criticism. A&E uses that hashtag #ExposeHate for the show. The network’s general manager went farther and claimed that “the only political agenda is that we really do stand against hate.” At least explicit hate. More subtle forms of denigrating other cultures, however, are fine so long as you label them “entertainment” or “history.”

Generation KKK follows a network of peace activists as they work to break the cycle of hate in prominent Ku Klux Klan families. pic.twitter.com/stkqbsBNcC

— A&E Network (@AETV) December 20, 2016
​The problem, though, is that the medium is the message, and even though the show has the approval of the Anti-Defamation League, giving Klansman extended time to advocate their worldview inevitably encourages the audience to sympathize with them. The Daily Beast outlined exactly how the formula of reality TV creates an emotional attachment to the Klan in its viewers by drawing on viewers’ previous positive experiences with reality TV:
Yet in practice (at least on the basis of the first four episodes offered to press), Generation KKK is a reprehensible work—one that normalizes people, and beliefs, that deserve only vilification. While immediate online and social-media reaction to the show’s existence was harsh (see here, here, here, here and here, just for starters), it only skimmed the surface of the program’s true wretchedness. That’s because A&E’s newest series does something worse than just provide a platform for the KKK: It employs the formal format and devices of the channel’s other hits (Hoarders, Intervention) to transform its bigots into colorful characters, thereby placing them on the same plane as the rest of cable TV’s freaky reality stars. By situating them in a familiar faux-verité package, Generation KKK makes clear that these rancid people are just as suitable subjects for our entertainment as anyone else. In short: It legitimizes them.
[Update 12/24/16: A&E canceled the series on Christmas Eve after intense criticism and revelations thath the producers failed to disclose to the network that they made cash payments to the KKK for access, in violation of A&E policy and public assurances that no money went to the hate group.]

​But such efforts to use the power of the media to sway beliefs aren’t confined only to conservatives, reactionaries, and racists. Liberals attempt to mirror the success of Eurocentric narratives with their own media. A case in point is the strange documentary Ancient Tomorrow currently being marketed on social media. The video-on-demand feature mimics the look and feel of America Unearthed but focuses on content more at home on Ancient Aliens.

Ancient Tomorrow from Border2Border Entertainment on Vimeo.

​Ancient Tomorrow follows eco-activist J. J. Yosh, a chemical engineer by trade, as he joins forces with model and actress Teejay Casado, who claims to be an archaeologist who believes in Atlantis, prehistoric super-civilizations, ancient super-technology, and other nonsense. Casado, described as the “lead archaeologist” for the team, took down her website just before the film was released. After looking at the Wayback Machine archive of it, I imagine the reason is because the “lead archaeologist” holds only a B.A. in archaeology from LaTrobe University. That makes her as much of an “archaeologist” as me, and I would never presume to lead a team to dig up anything.
 
Anyway, these two eco-warriors, who both specialize in promoting green technology and clean energy, have some other colleagues, a filmmaker and an “ancient philosopher” described as being a college dropout who specializes in making “iPhone apps,” and they march around the world to try to prove that all ancient pyramids were built on “vortexes” to serve as power plants intended to provide “free” and “clean” energy to prehistoric cities. All without any of the mechanics you’d think that electrical generators and devices would need to transport, transmit, receive, or make use of electricity. Amazing! To do so, they turn to Rosicrucian occult writer Stephen Mehler, who spouts his usual claims about ancient super-civilizations, 10,000-year-old pyramids, and other remnants of Theosophical fantasy. Casado, for her part, shows that she learned nothing in school by declaring that Mesoamerican pyramids and Egyptian pyramids are “eerily similar” and must have a common origin in a lost civilization. It sounds like her education came more from Graham Hancock and Ignatius Donnelly than university classrooms.
 
The saddest part of all of it is that the young adults (they seem to be a decade younger than me) think they are uncovering something new and revelatory, when they are simply repackaging old ideas from the Victorian era, as rewritten in the 1990s. 
19 Comments
Only Me
12/23/2016 10:32:49 am

Obviously these programs have consequences. Why else would the same debunked fringe ideas keep resurfacing in spite of the weight of evidence that disproves them?

"Her mission is to investigate the affinity between the worlds ancient ideologies and search for evidence that may reveal clues about ancient human technology."

PSST! Teejay! There are these neat places, open to the public, that has all you're looking for. They're called...museums.

Reply
DaveR
12/23/2016 11:13:37 am

Trump's companies have filed for bankruptcy protection six times. Trump himself calls these smart business decisions. So by his own standard, Trump is a wildly successful businessman, although I imagine the people, companies, and banks he owed money to when he walked away from his debts would argue differently. When I lived in NYC I heard of companies who would only work with Trump if he paid cash, in advance. "Fool me once," as the saying goes.

"The Apprentice" gave Trump the platform to become known throughout America. Portraying him as some super successful businessman, basically creating the myth of Trump, the network gave Trump the foundation to launch a successful run for President.

A&E's "Generation KKK" demonstrates networks do not care about how their programing impacts the lives of anybody. Networks only care about profit margins.

"Ancient Tomorrow" looks like "Ancient Aliens" marketed to younger people with a more liberal/environmental leaning. Just like their counterparts in other shows, they appear to care little for facts and evidence, rather they present what the want to be true.

Reply
Kathleen
12/23/2016 11:17:36 am

I was hoping that the last line of the trailer was going to be "but there's no concrete evidence". Silly me

Reply
Shane Sullivan
12/23/2016 11:48:26 am

I'm struggling to come up with some sympathy for Bill Pruitt. How hard is it to realize that actions have consequences, and to avoid unabashed dishonesty? But then, what kind of pathetic, miserable life could you live if you don't?

Of course, that's if he's being to truthful now. Frankly, I think he's just using his history with Trump to jockey for attention while signalling his own moral superiority by denouncing him. Which also betrays a sad life. So... Yeah, I think I've found the sympathy I was looking for.

Reply
Uncle Ron
12/23/2016 11:56:21 am

Two not-quite-on-topic comments: I like the new font. I wear no-line bifocals and had trouble focusing on the former font;
the quote from The Daily Beast could apply equally to "Sister Wives" and the smarmy patriarch of that desperately sad family.

Reply
Clete
12/23/2016 12:49:22 pm

Your comments are on point. Many people do not realize that commercial television is, first and foremost of all, an entertainment medium. They tend to think that when someone is on television that is what they are really like and that whatever they are saying must be truth. Except for Family Guy and Baseball, I do not watch must commercial television. I do watch the local PBS channel for news and shows such as Nova.

Reply
Tom
12/23/2016 01:30:58 pm

Sadly, this is also becoming the norm here in Britain.
The last true bastion of informative radio and television the BBC, has been deeply undermined over the decades and will probably fall to the likes of Murdoch before this Parliament is over.

Reply
DaveR
12/23/2016 03:24:57 pm

It's also indicative of the sad state of the public education system where critical thinking skills are being compromised in the name of educational benchmarks. People are simply not coming out of high school with the skills necessary to determine when they're facing a BS artist, like Donald Trump, and when they're seeing the genuine article, like Carl Sagan. They sit and watch AA and what they hear sounds like plausible arguments, but they fail to see the idiocy of the statements being made by the likes of Giorgio of the Massive Doo.

Reply
David Bradbury
12/23/2016 06:17:28 pm

Looking at IMDB, Border2Border are just the distributors for this flim and a lot of others, though they do also produce some). The lead production company is Higher Earth Entertainment, which has no other known output (animation is by Pixel Kitchen, which gets its own producer credit).
According to http://higherearthentertainment.com/about the company "produces media to educate, empower, and inspire people to build a more sustainable world for tomorrow’s future."
The bios page ( http://higherearthentertainment.com/bios ) further explains that Teejay Casado is "a producer, writer, and research manager at Higher Earth Entertainment."
They certainly get an A for effort- they've been working on this film since at least 2012:
https://www.newswire.com/eco-documentary-investigates-lost/173386

Reply
Titus pullo
12/23/2016 06:37:30 pm

I've avoided real estate developers my whole life in business. They tend to be class A pontificatos but on the whole shitty businessman always needing their banks to bury or refinance their debt. Says a lot about moron bankers who will fund dozens of new commercial buildings all sitting vacant for years but won't fund a small manufacturer who needs some working capital....

Reply
Kal
12/23/2016 06:57:46 pm

A clan TV show seems right up their alley. A and E apparently has gone insane. Considering they also so The Walking Dead, that is not surprising. I haven't seen it really.

Reply
JonMac
12/24/2016 05:36:09 am

The Walking Dead is on AMC, not A&E.

Reply
Graham
12/23/2016 07:23:45 pm

All the new show has to offer quite literally is a different 'spin' on tired old stuff, but the people making it know their audience well. They seem to be aiming at the same kind of audience 'Zeitgeist' and films like it aimed at.

Reply
R yutink
12/23/2016 08:44:36 pm

The more politics you interject, the less interesting you become.
I've enjoyed reading your take on these shows, but now
I'll be moving on.


Reply
Mark L from Bismarck
12/24/2016 01:29:45 am

Jason, when I first posted here a couple years ago, I was one of those who saw these shows as harmless entertainment, and was somewhat defensive of them as such, because I enjoyed (and still enjoy) watching them. I think I was defensive because most skeptics I read were extremely insulting, and seemed like know-it-all's. They had one extremely negative view, and pushed it hard. They totally overlooked any positive things these shows might offer.

And while it's true that the only positive things these shows bring to me are that they are relaxing, frequently have beautiful photography, and offer insight into how some eccentric people think, those skeptics rarely ever gave them even that much credit.

As far as skeptic sites go, yours is the only one I keep coming back to. And that is because, in spite of your problems with the people involved with these shows, you still have the decency to refer to and treat them as human beings.

You are the most reasonable skeptic I have ever read, and I appreciate that.

And this article has finally made it clear to me that these shows may not be quite as harmless as I have always thought.

You have always put a great deal of thought into everything you write, and you make the effort to try and understand where these folks are coming from.

In my mind, even the most eccentric among us deserve to have a voice. I'm wondering if perhaps their ideas would be less harmful to society if they were simply more truthfully marketed as speculative fiction.

Reply
V
12/25/2016 09:47:46 pm

I have to tell you, Mark, that when I went to school for graphic design, we had discussions about this, and that was in 2000. The industry knows, whatever they try to claim, that these "entertainment" shows, and even basic advertisements, have an impact on society. And no, marketing them as "speculative fiction" wouldn't really mitigate their impact much, not when "THIS BODY SPRAY WILL MAKE YOU IRRESISTIBLE TO ALL WOMEN EVERYWHERE!" still has the kind of impact it does on boys, and "THIS BADLY-PHOTOSHOPPED SERIES OF MODEL PHOTOGRAPHS SHOWS WHAT YOU SHOULD LOOK LIKE!" has the impact it does on girls (AND boys). We all know that advertisements are more fiction than fact, but they still get inside our heads.

I'm not saying they can't be entertaining, but your entertainment is one thing that shapes your worldview, so it would behoove the creators of that entertainment to be more responsible in how they use it. A lot of these shows could be equally engaging, still go into the same subjects, and yet be formatted in a way that lessens the message that "This is the One Secret Truth." But the creators don't really WANT that, because they WANT fanatical devotion that will net them more dedicated followers who will spend tons of money on their products. And now they're finding themselves, or at least some of them are, in a trap of their own making, because they are the ones who set this up.

Reply
John Meffen link
12/25/2016 12:25:32 am

Jason, after reading this I keep coming back to this line "programs that claimed non-white peoples have trouble piling rocks on top of each other" and it set me in a train of thought about how Egyptians built Pyramids, but since the Cecille B. de Mille movies Egyptians have been portaiyed as "white", and in some way this can be somewhat lazily excused as the Ptolemaic dynasty were of Macedonian origin. Then you apply a bit of thought, and, of course the Pyramids predate the Ptolemys, but you can see it, parts of the Euro-centric commentariat have included Egypt in their own vague "white" sphere of influence right up until Nasser made Egypt definitively part of "The Other".

All this at the same time as using a corruption of Egyptian: "Gipsy" to exclude Europeans who did not cohere to our "civilisation"

As I said, this post has made me think, seriously, about media portrayals of cultures.

Thanks. John

Reply
Durham
12/25/2016 06:42:36 pm

I know you got blindsided with the Weebly update crashing your theme and will be cleaning up for a bit. Note that the drop-quote format/CSS is a bit off -- opening quotemark but no closing quotemark, and the links (on 'here, here, and here') don't show that they are hyperlinked (bolded or underlined or both) like your regular text does...

Reply
Jason Colavito link
12/25/2016 09:44:12 pm

The issue of links in copied text is an interesting one. I'm not sure why they don't show up the same as other links. As for the quote marks, it appears that they are meant to be decorative, to indicate that the box is a block quote. A lot of sites do that, and apparently that's how it's coded on Weebly's end.

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