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Some Thoughts on the Rebooted "DuckTales" Season 1

6/30/2018

19 Comments

 
Picture
​When I was eight years old in 1989, my two favorite TV shows both happened to feature similarly drawn anthropomorphic ducks who traveled the world having adventures inspired by pulp fiction. The first of these was Count Duckula, whose British humor and Gothic aesthetic were a major influence on me. The latter was DuckTales, about a globetrotting Scottish tycoon and his grandnephews. Both shows led me to where I am today by repackaging classic genre stories and offering kid-friendly versions of ancient history, myths, and legends. While DuckTales, which aired from 1987 to 1990 and in reruns thereafter, was a great series for little kids, its most important impact on me was introducing me to the classic Uncle Scrooge comics, particularly those drawn by Carl Barks, which I have loved ever since. DuckTales, however, like so much juvenilia, is something I remembered better than it was.
Nevertheless, I was excited to learn last year that Walt Disney had ordered a new series of DuckTales, which began airing last year on Disney XD and currently airs on the Disney Channel. The producers of the new series promised that it would evoke the old series but incorporate elements of the Carl Barks comics and Don Rosa’s additions to them for a richer and more dynamic version of the life and times of Scrooge McDuck. They also hired a stellar all-star cast, led by David Tennant as Scrooge. An engaging and generally exciting pilot episode set up the potential for a great reboot that never quite came to fruition.
 
Now that DuckTales is nearing the end of its first season—there are five episodes left—it seems like this is as good a time as any to talk about why the new series has been so disappointing.
 
There is a lot to like about the new DuckTales, led by the show’s high caliber voice talent, including the regular cast and celebrity guest stars. The art style, while a little more angular and stylized than I’d prefer, and not as colorful as I’d like, is suitably attractive and does a good job of approximating the washed out look of aging four-color comics. The nods to classic DuckTales episodes and incidents from the Barks and Rosa comics are also good for a nod of recognition. But these high points are also problematic because they are elements that appeal to adult viewers. A good number of the references to Scrooge’s long and complex history, as laid out by Don Rosa in The Life and Times of Scrooge McDuck, won’t make much sense to young viewers, whom I doubt read Rosa’s comics from three decades ago. With that background, many of the DuckTales stories make sense, but if you came to it without prior knowledge, it must seem like a sketch of a show, an incomplete set of references to incidents never explained. Even basic elements of Scrooge’s backstory, like his money bin, the writers simply assume that the audience already knows about. This is in many ways a very postmodern show, apparently meant to be consumed alongside Wikipedia’s entry for Scrooge.
 
More disappointing, however, is the decision to cut most of the adventure out of DuckTales in favor of talking about adventures instead. While most of the episodes that have aired so far have the form of an adventure story, their structure is decidedly postmodern. Instead of following a mystery from start to finish, too many stories simply allude to an adventure, talk about what happened or didn’t happen, and then spend the majority of the run time on smaller domestic matters, single incidents meant as a cameo of the whole story, or incomplete stories that rely on the viewer’s prior familiarity with earlier incarnations of the characters to appreciate. Such a strategy could, in theory, work. Pindar’s famous Fourth Pythian Ode—and this is probably the only review of DuckTales that will make such a Classical comparison!—takes the entire epic of the Argonautica and distills it into a few choice incidents that suggest a complete story in a satisfying way without actually telling the story, relying on the reader’s prior knowledge to fill in the omissions. But DuckTales is not exactly poetic, and too often its stories seem rushed, oddly paced, or incomplete. The juxtaposition between the murderous villainy of the evildoers—who in this version are literally trying to kill Scrooge and his family in gruesomely described ways—and their Looney Tunes-style slapstick personas is a bit disconcerting, a bit like Mark Hamill’s Joker crossed with Elmer Fudd. The tone is just off, particularly for Flintheart Glomgold, a formidable enemy of Scrooge in the comics and a bitter rival in the first DuckTales but here turned into a broad caricature of slapstick rage that seems to encourage kids to find attempted murder hilarious.
 
Overall, DuckTales has been uneven in its first season, doing some things well and others poorly. As the season progressed, the mix tilted more toward the good, and it looks like the second season will continue the upward trajectory. DuckTales was always going to be a strange hybrid—of comic series and TV show, of 1980s nostalgia and 2010s sensibilities, of appeals to adult viewers and fodder for its younger target audience. But even jaded young audiences would likely find it more fun if it embraced the sense of scope and scale of Barks’ comics, and the science fiction sensibility of midcentury when adventure implied boundless possibility. As it is now, the call to adventure seems more like an annoying voicemail when the characters would rather be texting.
19 Comments
Hal
6/30/2018 11:11:01 am

Great review. You have finally found your important purpose. Next up: Popeye.

Reply
An Anonymous Nerd
7/1/2018 12:28:01 pm

It's nice sometimes to see Mr. Colavito rest his brain and write about other things that interest him that require less...Weight?

I would however not count on his being done with your friends on the Fringe.

-An Anonymous Nerd

Reply
Wachala
7/1/2018 06:32:41 pm

I wish I'd known Hal when he was a boy. I bet he was a beautiful boy! Grrrrr....owrrrrr, baby!

Reply
Hal
7/2/2018 08:31:30 am

You mean when he was a closeted gay boy hanging out in the football players locker room.

Reply
Clete
7/2/2018 11:15:23 am

Yes, that is true. But now, he's a lumberjack and he's ok. He likes to dress in women's clothes and hang around in bars.

Machala
6/30/2018 02:02:54 pm

I can tell you have a little one in the house and as he grows your knowledge and preoccupation with cartoon shows will only grow ! LOL!

When my oldest grandson ( now 23 ) was growing up, I swear I must have watched every episode of Sponge Bob Squarpants, Rugrats, The Fairly OddParents, and Jimmy Neutron cartoons at least 50 times each !

I have always believed that the really great cartoons are written on several levels. They are NOT just for kids. For example one of my high school professors made nightly viewing of Crusader Rabbit, and Rocky & Bullwinkle required as part of our discussions on political satire.

The wit and wicked humor ( and bad puns ) of Ward, Anderson and Scott, heavily influenced me, not only in my own writing but in my political and social outlook. The characters that these guys created - Boris Gudanov & Natasha Fatale, Fearless Leader, Senator Fussmussen, Snidely Whiplash, and many others, stand the test of time, and are as funny today, as they were then.
The segments of Fractured Fairy Tales and Aesop & Son and of course, Peabody's Improbable History are just as funny and semi-informative as they were, almost 60 years ago..

While Disney & Warner Brothers Loony Tunes were born on the big screen and were designed for the movie goer ( and yes, later, the comic book reader ), Hanna-Barbara, and Ward,Anderson & Scott cartoons were created for television audience and written and drawn with the small screen viewer in mind.
I appreciate the richness of the early Disney products with Mickey & Donald, and the attention to comedic detail of the Warner Bros with Bugs, Elmer and Porky, staples of my Saturday movie matinees - leading into the featured Western, - nevertheless, I am forever grateful for the thought provoking, laugh inducing, Rocky the Flying Squirrel and all his cartoon friends.

Reply
Americanegrowisconsinohiopennsylvania
7/1/2018 06:11:28 pm

So when he aged out did you just turn him loose or sell him on?

Reply
Americanegro
6/30/2018 04:35:37 pm

I have a similar fondness for late 1970s Penthouse magazine and the Family Circus comic strip; I like to alternate.

Reply
Machala
6/30/2018 07:53:48 pm

Changing hands and picking up a stroke ?

Reply
Americanegro
6/30/2018 08:14:54 pm

Nothing more charming than an old man talking about masturbation.

I meant reading. Penthouse did a lot of investigative reporting in those days, and what kind of perv jacks to Family Circus señor? A lot of molesters relocate to South America, although typically Costa Rica.

Machala
6/30/2018 10:52:11 pm

You really can't take a joke or a little teasing, can you ?
Wonder what your hyper-sensitivity stems from.
Maybe from reading all those Family Circus cartoons and realizing you weren't Jeff ?

Americanegro
7/1/2018 12:31:39 pm

I was simply saying "Nothing more charming than an old man talking about masturbation."

Now who can't "take a joke or a little teasing"?

Clete
7/1/2018 02:31:24 pm

There is an old joke that applies both to Penthouse and Playboy Magazines. Someone asked an administrator of a Blind Center why they had a subscription to Playboy magazine. The answer was that they were the only subscribers who actually read the articles.

Dock Rock
7/1/2018 03:16:29 pm

A discussion of beloved cartoon characters turns into a discussion of masturbation, migratory pedophiles, and the justification(s) for following a magazine that featured some investigative journalism and a lot of full frontal hubba hubba.

Thanks for an excuse to start Happy Hour 26 hours early.

Reply
An Anonymous Nerd
7/1/2018 06:07:35 pm

Mr. Colavito's critics have some odd obsessions and of late they're really showing.

-An Anonymous Nerd

Reply
Americanegro
7/1/2018 06:09:36 pm

Always nice to hear from Captain Drinkypoo or his imitators. Especially commenting on an all male comic where no one wears pants.

Reply
Bob Jase
7/2/2018 02:00:19 pm

I dunno, I'm still waiting for Ruff & Reddy and Crusader Rabbit to make a comeback.

Reply
Americanegro
7/2/2018 02:28:23 pm

Leave it to Beaver is a good show. They're constantly washing up for dinner and obeying the good guidance of their parents. Wally is constantly explaining stuff to Beaver like "That means no hollering."

Reply
JGH
7/3/2018 01:02:17 pm

Thank you for the review, Jason. I also enjoyed Ducktales when I was in elementary school. Your review helped me to realize that the show also probably played a role in my enjoyment of history and antiques. When you discuss how the new show mostly implies adventures and focuses on the mundane, it reminded me of another show that my son briefly enjoyed: Teen Titans Go. While there are a few instances in which the teen super heroes fight against super villains, the show mostly centers around the Teen Titans' relationships and their life in their headquarters. The show is more of an animated sitcom about people who happen to be superheroes than it is about their exploits as heroes. It sounds like that is sort of the path taken by the new Ducktales.

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    • Miscellaneous Documents >
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      • The Amazing James Dean Hoax!
    • Free Classic Pseudohistory eBooks
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