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The Nazca "Astronaut": A Fishy Story

1/3/2013

12 Comments

 
  • Summary: The so-called “Nazca astronaut” figure is best explained as a depiction of a fisherman, refuting yet another ancient astronaut claim.
  • Note: Some images in this post are large and may be slow to load.

Last week Frank Johnson over at the Ancient Aliens Debunked blog provided an intriguing explanation for the alleged “astronaut” figure etched into the hill near the Nazca plain. Ancient astronaut writers have long claimed that this geoglyph was a depiction of a goggle-eyed extraterrestrial visitor waving to passersby. Johnson discusses the work of two Czech engineers who investigated the site, and I’d like to amplify his comments with additional material.

The “Nazca Astronaut,” known to archaeologists as the “owl-man,” is an etched geoglyph in human form, approximately 100 feet (30 meters) high, situated between two etched parallel lines on a hill near the Nazca plateau such that it could be seen from the coast. The longtime scholar of the Nazca drawings, Maria Reiche, named the figure the “owl-man” when she published the first aerial photograph of it in her 1949 book, The Mystery of the Desert, which suggested an astronomical purpose for this and other Nazca etchings. It became known as the “astronaut” only after ancient astronaut writers popularized the image.

Picture
The Owl-Man as seen on the Ancient Aliens Debunked Blog.
Sarah Moran’s discussion of the so-called Nazca astronaut in her 1998 book Alien Art: Extraterrestrial Expressions on Earth, written in cooperation with Erich von Däniken, is typical of the way ancient astronaut believers view the image.

Erich von Däniken has suggested that [this figure represents] the beings who landed their craft thousands of years ago on the plains. He maintains that the whole area … has been carefully designed as a marker to guide the extraterrestrials back to Earth safely. 

Unfortunately, little material has been published about the “astronaut” except for what ancient astronaut writers have written. Mainstream sources are content merely to refer to it as a “peculiar anthropomorphic figure” (National Geographic Concise History of the World) or attribute it to religious impulses, perhaps depicting the “Oculate Being” (Recent Studies in Pre-Columbian Archaeology, vol. 2). This has given ancient astronaut writers a blank check to write whatever they wish about this figure and its supposed resemblance to “Grey” aliens.

Against this, Frank Johnson has provided a Google machine translation of a 2002 Radio Praga article about a more convincing explanation for the geoglyph. Unfortunately, this machine translation is somewhat inaccurate and misleading. Since the original article was in Spanish, which I can read reasonably well, I have made a corrected translation:

The alleged astronaut raises his right hand, which holds a net ... a fishing net, Czech scientists say. At the foot of the figure is seen a fish, or perhaps two, one above the other. The alleged astronaut is a fisherman, say the engineers Frantisek Klokocník and Jaroslav Vitek. And indeed, archaeological investigations have revealed an intense exchange of goods between the coast and the mountains, and fish was one of the most important items of exchange.

The Czech experts point out that some of the local archaeologists have accepted this hypothesis. Everything about it fits perfectly: the figure of the fisherman served for orientation; the fish symbolizes prosperity.

Near the spot where the fisherman is inscribed, two parallel lines that probably guided travelers from the coast can be seen on the ground. Engineers Jaroslav Vítek and Frantisek Klokocník also formulated the hypothesis that the figure of the fisherman was a kind of billboard.


The Czech scientists conducted an experiment in which they had locals try to recreate a geoglyph. They estimated that a small geoglyph could be etched in a few days, while the “Astronaut” might have taken a full year to produce.

Johnson provided only a small “artist’s impression” of how the geoglyph would have looked, which makes it difficult to visualize exactly what we’re looking at. Below, I have taken a photograph of the geoglyph and have outlined in white the two parallel lines, the fisherman, his net, and the fish. I have used a photograph from “Paradise in the World,” a travel website that favorably presents the ancient astronaut hypothesis. 

Picture
The original photograph of the so-called "Astronaut."
Picture
The fisherman, his fish, his net, and the parallel guidelines outlined in white.
When outlined, it is very easy to see how the figure depicts a fisherman in a fishing outfit, holding a net in his left hand and raising a fish on a line with his right hand.

Thus, according to the Czech hypothesis, the mountain-dwelling peoples of the Nazca plateau would have etched the fisherman and the parallel lines into the hill to direct coastal fisherman to the plateau to market their fish. So, in that sense the ancient astronaut writers got one thing right: The figure was a signal, but not to aliens. It was a billboard screaming “Fish Bought Here!”

12 Comments
Shirley Pena
1/7/2013 11:50:45 am

Brilliant investigative work, as usual!

Reply
Frank Johnson
2/20/2013 12:42:55 pm

I've been upstaged :'(

I guess that's what I get for taking German in high school and not Spanish.

great work as always Jason!

Reply
Jason Colavito link
2/20/2013 01:05:02 pm

Thanks! Glad you approve of me stealing your thunder!

Reply
cassino online link
7/17/2013 12:01:07 am

Guess , formulation of Engineers Jaroslav Vítek and Frantisek Klokocník of the hypothesis that the figure of the fisherman has been a kind of billboard has the right for life..It seems very much the same. Butt anyway it can symbolize other things more related with cosmos. Hope this secret will be revealed! Thank you a lot for sharing with us.

Reply
Don White
9/27/2014 01:49:54 pm

QUOTE Thus, according to the Czech hypothesis, the mountain-dwelling peoples of the Nazca plateau would have etched the fisherman and the parallel lines into the hill to direct coastal fisherman to the plateau to market their fish. So, in that sense the ancient astronaut writers got one thing right: The figure was a signal, but not to aliens. It was a billboard screaming “Fish Bought Here!” UNQUOTE

A billboard. Uh-huh.

Well, maybe so . . . if the little injuns could perhaps FLY.

Geesh. And George and Erich are supposed to be the loons. LOL Here's the bottom line. Some people see a fisherman. others see an astronaut. (Maybe an astronautical fisherman?) So an ancient alien theory is perfectly acceptable.

Reply
pup
9/30/2014 04:48:31 am

I think the point is that it is/was visible from ground-level.

And "injuns"? Really?

Reply
Serena Stone
12/17/2014 02:11:50 pm

Having now read several books about the Nazca Lines and the various figures, I've come to the conclusion that "no one really knows now why and how these lines and figures were made so many thousands of years ago. I for one believe that it is entirely possible that an alien civilization made them. How else to explain that these lines and figures can only be seen from high up in the air!

Reply
Pao Yabao
1/9/2016 03:56:21 am

This 'fisherman' analysis is done inside a information vacuum. But if you view this giant geoglyph in a bigger context, it will be different. This is my analysis:

(1) There are other giant geoglyphs in the Nazca area, with similar large sizes: different birds, animals, including a whale/shark, trees.
Basing on this fisherman theory: all of these are gigantic billboard signs of shops. Including a shop that sells trees/flower, spirals and whales. The 'fisherman' is on the side of a mountain, so it may be seen from a distance. But the rest are scattered all around, even on plain ground level, and close to each other. Judging by their sizes and their proximity to each other, it is absurd to assume that human customers standing on the ground could have seen this.

(2) If the other symbols are symbols of goods, why did they have to draw the man who caught the fish? Why didnt they just draw the fish, for a fish store? Based on fisherman theory all these symbols are merchandise signs of sorts. But all the other drawings are just figures of animals, things supposed to be a merchandise products? They also could have drawn the monkey catcher, the bird and lizard catcher as well.

(3) Art is a product of a culture of a society. It is a visual language understood across a particular culture. Basing on these premise:
The depiction of the human 'fisherman' is different to the human figures depicted on Nazcan pottery: the pose, particularly the face and eyes; the eyeballs are not drawn, as well as nose or mouth are missing. There is no known Nazcan art that has eyes without any eyeballs, or drawn in this manner. Judging by the effort needed to draw such a large geoglyph, it is unlikely that the artist who created this just got lazy and didnt draw the rest of the face. And it also unlikely that it vanished, as the lines surrounding it is yet still very much visible.
Another curious point is that the feet has shoes on it. Virtually all Nazcan drawn figures are barefoot. Specially fishermen.

This could not be just a 'different' style of drawing humans. During past civilizations, art is not like art we know today in which it is used as an expression of the individuality of an artist. It was a practical language to record things and events, ceremonial or for a religious purposes. Expression of individual creative style is irrelevant. Understandability of the artwork to the persons who belong to this culture is tantamount. These can be seen in the invariable artstyle of Nazcan art on different excavated artifacts. So a change of 'artstyle' in drawing the 'fisherman' comparing it to the style of archeologically found Nazcan ceramic art is highly unlikely. My theory is that if the fisherman does not look near similar to the human figures on Nazcan art, we can assume it is not human at all.

(4) "two parallel lines that probably guided travelers from the coast"
There are practically dozens of lines everywhere in these area. Intersecting, connecting to trapezoids, creating angle, and/or pointing nowhere. These travelers from the coast could really get lost. The line on the right of the fisherman crosses a sharp incline of the mountain side in a straight line. Now this is quite accurate. If the person who drew this was this meticulous, why is not the fisherman properly centered on these two parallel lines? And it also highlights the question: why was the fisherman unmeticulously drawn?

(5) The other Nazcan lines around it and its connection to the drawings:

Surrounding the drawings of the different animals are more gigantic lines.This is what is really strange about all this. My hypothesis is that the group that drew the figures, recognizable shapes of animals, plants, and the one that drew the giant straight lines and trapezoidal shapes are different. We will group it into two: the figure geoglyph group Vs. the abstract lines group. The reasons are as follows:

5.a Their relative sizes to each other. The figures geoglyph group are more or less the around 50m sq per geoglyph. The abstract lines are very long, the longest is at 10,100 meters. You can see the vantage point of whoever created this two groups of geoglyphs are different. The size of the lines are at most 200x bigger then the figurative geoglyphs. Why wasnt there any drawing bigger then 50 m.sq, if Nazcans could draw lines 10,000 meters long?

5.b The styles are very different. The figures group depict real life objects, the lines do not, and are completely abstract. Mayan civilization had calendars which had orderly divisions and Nazca is a sister culture of this, but no order could be found on these line and trapezoidal patterns. Some theorists suggest that these can be some kind of calendar, but I disagree on this based on this premise.
There is also no such plane linear abstract art style found in any Nazcan pottery or textile archeological found to date. And comparing this lines and trapezoid to the artwork on Nazcan pottery, they are strikingly contr

Reply
Craig
9/22/2017 02:57:25 am

Excellent rebuttal. This fisherman hypothesis is clearly nonsense.

Reply
Jesse
1/12/2017 07:41:57 pm

Pao Yabao, took that lame Czech analysis and buried it. Literally made those scientist look stupid. Respect due.

Reply
Atul Oya Attch
6/6/2017 01:24:03 pm

Its untrue that crop circles were used as weather veins before 1920, you see a Racet is also another name for a deviner or divining instrument or diving rod.

To use such an instument in abuse of another human being would be very successful, not regarding adults.

however if there was success in using a diviner or racet pipe in abuse of another group of humans this would not be an impressive feat

these are actually Lea lines left by modern Uruaguayan Mauritians

Reply
astronaut space t-shirt link
9/14/2018 05:57:13 am


Thanks for the blog post buddy! Keep them coming...

Reply

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