IMMINENT: INSIDE THE PENTAGON’S HUNT FOR UFOs Luis Elizondo | William Morrow | August 2024 | 304 pages | $29.99 Memoir, as a literary genre, sits somewhere between autobiography and creative writing, often sacrificing strict accuracy for deeper emotional truths. At its best, memoir can reveal the inner life behind the façade of an individual. A great memoir cuts deep, revealing the innermost secrets, and the dark parts of the soul, that make a person who they are. A bad memoir is an exercise in self-aggrandizement, begging the reader to agree with the author’s awesomeness. Luis “Lue” Elizondo’s Imminent is not a good memoir. Others will pick apart its factual foundations (nothing in the book would qualify as scientific evidence) and hold up his firehose of UFO lore to specific scrutiny, but I want to talk about his book as a piece of literature and how it fails both as art and as a piece of persuasive UFO propaganda.
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A preprint of a new scientific paper to be published in an upcoming edition of PLOS One made news this week when a team of interdisciplinary researchers led by Xavier Landreau of the Paleotechnic research firm claimed to have evidence that Djoser’s step pyramid at Saqqara had been built using a hydraulic lift. The authors claim that a large stone enclosure near the pyramid, known as Gisr el-Mudir, was a water treatment facility and served as a dam, allowing purified Nile water to travel along channels to the site of the pyramid, where, in “volcano” fashion, the water mover through a series of shafts and pushed stones up to the top of the pyramid while it was under construction.
Since Ancient Aliens is on hiatus to avoid competing with the Olympics, I thought it would be safe to take my on to the local aquarium. Surely a display of tropical fish must be free of the insidious mythology of space invaders. Ah, but I was wrong. Since last we visited, the aquarium opened a hall of animatronics offering, in either promise or threat, dinosaurs and “legendary creatures.” The disappointing attraction featured credulous displays about griffins and Bigfoot before reaching a crescendo in a hall where Ancient Aliens clips played on a big screen beside this janky diorama of extraterrestrials. It was not worth the upcharge.
In recent days, former America Unearthed host and current ancient astronaut theorist Scott Wolter alleged that some very cheesy engravings of Grey aliens in Egyptian clothing and poses were as much as 17,000 years old, despite being obvious fakes in an amateurish contemporary art style. But more importantly, Lue Elizondo’s publisher released his forthcoming memoir Imminent to Google Books a month ahead of publication, and extensive excerpts appeared on the platform for about 24 hours before they disappeared and were replaced with a “No Preview” announcement. It was easy to see why Lue Elizondo and his publisher wanted the Google Books preview pulled: In the excerpts, Elizondo claims to have supernatural powers and to have appeared as an angel while engaging in psychic attacks on America’s enemies.
In a posting on X today, Graham Hancock announced that “archaeologists aren't going to like” a new article Hancock posted to his website, implying that the argument convincingly challenges scholarly views. Written by Manu Seyfzadeh, a dermatologist who hunts for the Atlantean Hall of Records, the article seeks to prove that Plato drew on a genuine ancient Egyptian tradition of Atlantis when he ascribed the allegory of Atlantis to a story the Egyptians told his distant ancestor Solon in the sixth century BCE. However, Seyfzadeh admits to having no training in Classics or Egyptology, and his arguments are rather transparently ignorant of the broader context of Near Eastern cultures.
The All-Domain Anomaly Resolution Office sent it to the Oak Ridge National Laboratory for testing in 2022. The report recently came back—yes, it took two years—and determined that the material was not able to function as a “terahertz waveguide,” and its isotopic composition was completely normal for Earth, not, as TTSA claimed, extraterrestrial. They could not identify a purpose for the uncommon composition of the earthly, heat-damaged fragment, but that’s probably because it never had a purpose. They suggest it is consistent with experiments of the time, without naming them. In short, it's probably a piece of scientific or industrial waste.
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AuthorI am an author and researcher focusing on pop culture, science, and history. Bylines: New Republic, Esquire, Slate, etc. There's more about me in the About Jason tab. Newsletters
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