It seemed silly enough when, a few minutes before New Year’s, the Daily Star announced that UFO documentary producer Mark Christopher Lee wants singer Robbie Williams, who recently confessed to encountering a supposed flying saucer, to serve as the U.K.’s UFO ambassador. It was doubly silly that Lee made the recommendation via UFO journalist George Knapp, who is friends with Williams (!).
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Each year, it’s a little more difficult to write a seemingly lighthearted review of the year in weird. This year was both personally and professionally a bit of a struggle as A.I. continues to eat away at my day job and the closure or collapse of a number of media outlets has made it more difficult place stories in paying publications. I lost my gig as a CNN Opinion columnist right when it was starting because CNN shuttered the entire division. As the year came to an end, about one-third of my income for the year remains outstanding from businesses that are dragging their feet on payments and have been since early fall. That has made it difficult to devote too much energy to caring about whatever old claims the usual cadre of kooks and weirdos are recycling on any given day.
An interesting little Christmas mystery, inspired by a recent post Graham Hancock made on social media praising his “great friend” Robert Bauval and his Orion Correlation Theory from the 1990s. Back in 1997, when Hancock and Bauval teamed up for The Message of the Sphinx (a.k.a. Keeper of Genesis), the two authors presented a variant version of the Christmas carol “We three kings” that replaced “Orient” with “Orion,” rendering the first line as “We three kings of Orion are.” They provided no source, and for a long time I wondered if they had just made it up.
I appeared today on the Forgotten Hollywood podcast to discuss my new book, Jimmy: The Secret Life of James Dean. You can listen below, at this link, or wherever you get your podcasts.
Karahan Tepe: Civilization of the Anunnaki and the Cosmic Origins of the Serpent of Eden Andrew Collins | Bear & Company | October 2024 | ISBN: 9781591434788 | $26 I will confess that when I learned Andrew Collins had recently published a new book on Karahan Tepe, an ancient site of enclosures and statues similar to and coeval with those of nearby Göbekli Tepe (collectively, the Taş Tepeler peoples, after the region where the sites are located), I was not particularly excited about reviewing it. Collins’s books are never wild enough to be fun to discuss, but they also fall just enough outside of the scholarly consensus to make it a slog to work through his reams of information, mostly accurate but outstripping the evidence.
Two years after Ancient Apocalypse caused a media firestorm by putting on Netflix claims Graham Hancock had been making in print and online for decade, the show returned with a second season focused on the Americas. While the first season sparked outraged because elite media types were finally forced by the Netflix algorithm to see on a screen what they paid no attention to in print, the second season seems positioned to avoid some of the same backlash. Netflix released Hancock’s second foray into arguing that a comet destroyed a lost civilization in mid-October, after the first came out in late November 2022. This seems purposely chosen to drop while the mainstream media are focused on the upcoming election, limiting the time and attention they will devote to bashing Hancock’s show.
And, as we all know, the sequel is never as good as the original. No wonder Graham Hancock has been testy. An article yesterday in The Guardian says that the U.S. filming on the new season of Ancient Apocalypse was scuttled after the production ran into difficulties with obtaining permission to film at some locations. Hancock’s program received permits to film at Chaco Canyon and the Grand Canyon for an episode on the peopling of the Americas. Several days of filming had already been completed at Chaco Canyon, but ITN, the company behind the series, pulled out of the U.S. and will scrap the episode in favor of a non-American location. The Guardian piece implies that the difficulty was with Native tribes, who spoke out against Hancock’s hijacking of their history and opposed efforts to film at ancestral sites. Grand Canyon National Park sought to deny Hancock a permit based on objections from Native groups, but federal officials in Washington overrode their objections to issue the permit—since the government can’t pick and choose permits by viewpoint. Tribal locations, though, can do what they like. Read the full story at the Guardian.
On The Joe Rogan Experience, archaeologist Flint Dibble debated Graham Hancock for more than four hours about the existence of a lost civilization. You will forgive me that I did not have the time to watch the full podcast—it is simply too long—but you are of course welcome to watch below. I watched about half, from various segments of the podcast. I noticed in the parts I did see that Hancock seemed a bit underprepared to encounter the nuts and bolts of how archaeology is actually done, leaving him to complain that archaeologists have simply missed all of the evidence for a lost civilization, despite Dibble’s clear presentation of how archaeology actually works and the methodology of science and the signatures of large-scale settlements, such as evidence of agriculture, that should survive even the most thorough cataclysm.
I suppose I shouldn’t be too surprised that after just three cobbled-together clip shows to start its new season, Ancient Aliens is already going on a break, substituting an even longer, multi-hour clip show under the Ancient Aliens Declassified brand. Anyhow, it turns out that I missed a bizarre appearance in which Tucker Carlson has some things to say about ancient history after descending further into the Ancient Aliens / Ancient Apocalypse rabbit hole.
Another year has passed us by, and it seems that each one is somehow a little bit darker than the one before. I’ll be honest: I had a hard time bringing myself to write this year-end wrap-up this year. It’s been a hard twelve months. At the beginning of the year, the release of generative A.I. completely destroyed my career, wiping out virtually the entire industry of business writing that was my bread and butter. It happened so quickly and so destructively that CBS’s 60 Minutes came out to Albany to interview me about losing my job to a machine, and then I experienced a double humiliation when the venerable newsmagazine called me a few hours before my interview was scheduled to air to tell me that they cut me from the story and replaced me with an interview with a generative A.I. chatbot.
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AuthorI am an author and researcher focusing on pop culture, science, and history. Bylines: New Republic, Esquire, Slate, etc. There's more about me in the About Jason tab. Newsletters
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