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Last night, Expedition Unknown host Josh Gates guest starred on the penultimate episode of the second season of The Librarians: The Next Chapter playing a character named “Josh Gates.” Press materials for the show described Gates as playing “himself” in the show. However, the real and the fake Gates have some pretty significant differences. While Gates’ character hosts an archaeology-themed TV show like the real Gates, the fake Gates is also a world-renowned archaeologist, which the real Gates is not. His TV character isn’t just an archaeologist, though, but is also trained in several ancient languages, including Akkadian and Latin, skills the real Gates, again, does not possess.
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The Others: UFOs, AI, and the Secret Forces Guiding Human Destiny D. W. Pasulka | St. Martin’s Essentials | July 2026 | 288 pages | ISBN: 9781250394866 | $28.00 Reading American Cosmic author Diana Pasulka’s The Others: UFOs, AI, and the Secret Forces Guiding Human Destiny is supposed to be an enlightening philosophical exploration of human deficiency in the face of potential intelligences greater than our own. In practice, it was more of a book length extrapolation of a verse from “Weird” Al Yankovic’s classic parody “Amish Paradise”:
Think you’re really righteous? Think you’re pure in heart? Well, I know I’m a million times as humble as thou art My first and most influential book, The Cult of Alien Gods: H. P. Lovecraft and Extraterrestrial Pop Culture, was published twenty years ago this coming week. If I felt old when I heard music from my college years playing in on the local “oldies” station, I feel doubly old realizing that I wrote my first book half a lifetime ago. I started writing it two years before its publication, when I was half as old as I am today. Soon enough, I will have been an author longer than I was not, and that still strikes me as absurd. Has so much time passed? It was so long ago that I sent out manuscripts on paper and received page proofs in a cardboard box marked up with a proofreader’s red pen!
In commemoration of the seventieth anniversary of James Dean’s death, I am publishing an excerpt from my biography of James Dean, Jimmy: The Secret Life of James Dean (Applause, 2024) on the final days of the Hollywood legend.
Actor Brandon Flynn will take on the role of James Dean in a new film exploring the rocky and sometimes romantic friendship between Dean and his best friend William Bast, according to the film’s director, Guy Guido. Willie and Jimmy Dean is based on Bast’s 2006 memoir, Surviving James Dean, a revision of his 1956 biography James Dean, in which Bast restored sections on Dean’s same-sex relationships and Bast’s own homosexuality that he self-censored in the first book.
The Occult Elvis: The Mystical and Magical Life of the King Miguel Connor | Destiny Books | April 2025 | 288 pages | ISBN13: 9798888501351 | $19.99 Elvis Presley deeply admired James Dean to the point that he modeled much of his persona as a singer and an actor on Dean’s, especially in the early years of his career. The two men had much in common, and it is unsurprising that Elvis (I’ll use the mononym here, in deference to the subject) and Dean also shared both voluntary and involuntary associations with the occult. As I discuss in my book, Jimmy: The Secret Life of James Dean, Dean came out of a somewhat mystical Christian background (encouraged by his friend, the Rev. James DeWeerd) and believed himself supernaturally destined for greatness, despite believing himself to be cursed with an inner evil. He studied books of ancient wisdom and Eastern mysticism and developed a rather Gnostic view that reality was itself an illusion. After his untimely death, he became a cult idol, spiritual guide, and psychopomp—and the subject of countless conspiracy theories. Many claimed to see his ghost, or that he had never died, or would return in glory, and one young woman even claimed his angelic form had supernaturally impregnated her virgin womb. Such stories presaged suspiciously similar anecdotes that swirled around Elvis decades later.
Each year, it’s a little more difficult to write a seemingly lighthearted review of the year in weird. This year was both personally and professionally a bit of a struggle as A.I. continues to eat away at my day job and the closure or collapse of a number of media outlets has made it more difficult place stories in paying publications. I lost my gig as a CNN Opinion columnist right when it was starting because CNN shuttered the entire division. As the year came to an end, about one-third of my income for the year remains outstanding from businesses that are dragging their feet on payments and have been since early fall. That has made it difficult to devote too much energy to caring about whatever old claims the usual cadre of kooks and weirdos are recycling on any given day.
This week, various editions of Vogue magazine published a lengthy piece on the failed romance of James Dean and Pier Angeli, born Anna Maria Pierangeli. The original Italian article by journalist Giacomo Aricò, published on Wednesday, and the truncated English adaptation published on Friday contain a number of misrepresentations and errors that came from the telephone game of repetition and PR that passes for “celebrity” coverage in our media. But the broader purpose of the piece, as the author writes in Italian, is to deny that Dean was either homosexual or bisexual, a remarkable claim for a major magazine in 2024. Let’s take a look at some of the ways the Vogue pieces went wrong.
Opposable Thumbs: How Siskel & Ebert Changed Movies Forever Matt Singer | Putnam | Oct. 2023 | 352 pages | ISBN: 9780593540152 | $29 Gene Siskel and Roger Ebert spent so long reviewing movies on television that, when Siskel died in 1999, I could not remember a time when I hadn’t watched them. They started their first review program six years before I was born (I’m 42), and as far back as I can remember, I can still picture my parents tuning in to hear about the newest movies—movies that, for the most part, they would only see on rented VHS tapes, months later. I tended to prefer Ebert to Siskel, not for any dramatic reason except that my local paper carried Ebert’s print reviews but not Siskel’s, so I felt like I understood his thinking more. Even when I was a teenager, Siskel & Ebert was still appointment viewing, and I recall setting extra time on the VCR to record the show when the local ABC affiliate’s sports coverage pushed it to odd hours of afternoon or overnight and we weren’t sure exactly when it would start.
Note: This essay is cross-posted in my Substack newsletter. This past weekend, Tom DeLonge, the punk rocker and UFO media entrepreneur, released his first feature film, Monsters of California, direct to streaming. DeLonge served as both director and co-writer of the film, which follows a teenage boy and his friends as they investigate conspiracies about aliens and the paranormal around San Diego only for the hero to achieve New Age enlightenment through realizing his place in the cosmos. Indifferently acted and roughly written, the movie is an amateurish production all the way around, the New Age equivalent of those Christian “movies” that badly approximate a Hollywood production. Like those evangelical films, Monsters also has a spiritual message, that all is consciousness, we are but specks a pantheistic tapestry, and that “advanced” aliens are our teachers and guides toward enlightenment.
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AuthorI am an author and researcher focusing on pop culture, science, and history. Bylines: New Republic, Esquire, Slate, etc. There's more about me in the About Jason tab. Newsletters
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